Douglas Pérez Castro Cuban, 1972

Obras
  • El Macao (The Crab)
    Douglas Pérez Castro
    El Macao (The Crab), 1997
    Colors ink, collage on handmade paper.
    80 x 60 cm
    31 1/2 x 23 5/8 in
  • Nutricia (Nutritious)
    Douglas Pérez Castro
    Nutricia (Nutritious), 1997
    Colors ink, collage on handmade paper.
    800 x 600 mm.
  • Armory
    Douglas Pérez Castro
    Armory, 2005
    Watercolor on fine cardboard
    570 x 380 mm
  • Yuca (Yucca)
    Douglas Pérez Castro
    Yuca (Yucca), 2005
    Watercolor on fine cardboard
    570 x 380 mm
  • Obsequios (Gifts)
    Douglas Pérez Castro
    Obsequios (Gifts), 2005
    Watercolor on fine cardboard
    57 x 38 cm
    22 1/2 x 15 in
  • Dragón (Dragon)
    Douglas Pérez Castro
    Dragón (Dragon), 2005
    Watercolor on fine cardboard
    570 x 380 mm
  • Ya se fue la vida mía (My life has gone away)
    Douglas Pérez Castro
    Ya se fue la vida mía (My life has gone away), 2006
    Watercolor on fine cardboard
    57 x 38 cm
    22 1/2 x 15 in
  • El gallo con tantas plumas (The cock with many feathers)
    Douglas Pérez Castro
    El gallo con tantas plumas (The cock with many feathers), 2006
    Watercolor on fine cardboard
    570 x 380 mm
  • Si al rico le entra una espina (If the rich man is pricked)
    Douglas Pérez Castro
    Si al rico le entra una espina (If the rich man is pricked), 2006
    Watercolor on fine cardboard
    57 x 38 cm
    22 1/2 x 15 in
  • Miguel Cervantes Saavedra
    Douglas Pérez Castro
    Miguel Cervantes Saavedra, 2006
    Watercolor on fine cardboard
    570 x 380 mm
  • Por donde quiera han cercado (They has fenced everywhere)
    Douglas Pérez Castro
    Por donde quiera han cercado (They has fenced everywhere), 2006
    Watercolor on fine cardboard
    510 x 320 mm
  • Ciclón (Hurricane)
    Douglas Pérez Castro
    Ciclón (Hurricane), 2007
    Oil on canvas
    70 x 50 cm
  • Güiro (Gourd)
    Douglas Pérez Castro
    Güiro (Gourd), 2007
    Oil on canvas
    70 x 50 cm
    27 1/2 x 19 3/4 in
  • Comentario (Comment)
    Douglas Pérez Castro
    Comentario (Comment), 2008
    Oil on canvas
    86 x 77 cm
  • Viajeros (Travelers)
    Douglas Pérez Castro
    Viajeros (Travelers), 2008
    Oil on canvas
    86 x 77 cm
  • El Oblige de los Conguitos (The Naval of the Conguitos)
    Douglas Pérez Castro
    El Oblige de los Conguitos (The Naval of the Conguitos), 2012
    Oil on canvas
    106 x 240 cm
  • Quien Los Paga? (Who pays for them?)
    Douglas Pérez Castro
    Quien Los Paga? (Who pays for them?), 2015
    Oil on canvas
    80 x 110 cm
  • La Disertacion (The Lecture)
    Douglas Pérez Castro
    La Disertacion (The Lecture), 2017
    Oil on canvas
    50 x 70 cm
  • El Hado de la Diferencia (The Fate of Difference)
    Douglas Pérez Castro
    El Hado de la Diferencia (The Fate of Difference), 2017
    Oil on canvas
    50 x 70 cm
Biografía
Douglas Pérez Castro
Santo Domingo, Villa Clara, 1972
 

What stands out most in Douglas Pérez's Castro’s works is his great sense of humour; a humour that comments with extraordinary acuity on complex matters in our local history, society and culture. Pérez's works hardly ever use humour for its own sake. In spite of being a cheerful, funny person, he never lets himself be drawn into the simple pleasure of amusing others gratuitously. Behind his humour, his impulse to caricature, there is always an underlying critical or at least reflexive, curious, inquiring purpose. His critical commitment seems to be governed by a phrase pronounced by our great poet-philosopher José Martí: "Humour and satire should be for society like a whip with bells on the tip." Although his works may point to painful or dramatic realities such as racial discrimination against blacks, or the difficulties and contradictions that prevail in our current society, they never reflect bitterness, anger, regret or sadness, but rather amusement and humor. One often has the impression that they are not critical comments at all, but simply “painted jokes”, as the artist himself has said about his work.

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