Obras
  • Abre Nkuto, Muchacho Nuevo”(Open your ear, young man)
    José Bedia
    Abre Nkuto, Muchacho Nuevo”(Open your ear, young man) , 1989/2017
    Installation, acrylic on canvas, metal objects, sticks
    274 x 305 cm
    107 7/8 x 120 1/8 in
  • Sketchbook with 94 Drawings
    José Bedia
    Sketchbook with 94 Drawings, 1996/7
    Mixed media ink on paper
    Each page 35.6 x 27.9 cm
    Each page 14 x 11 in
  • Ofrendas que se dejan en la cueva
    José Bedia
    Ofrendas que se dejan en la cueva, 2003
    ink, paint and mixed media on amate paper
    120 x 240 cm
    47 1/4 x 94 1/2 in
  • Painting of KINDEMBO SARABANDA MALONGO YAYA ARRIBA NTOTO, 2009
    José Bedia
    Kindembo Sarabanda Malongo Yaya arriba ntoto, 2009
    Acrylic / canvas
    182 x 464 cm
  • El Burro que fui (Jackass)
    José Bedia
    El Burro que fui (Jackass), 2010
    Acrylic collage /heavy paper
    140 x 310 cm
    55 1/8 x 122 1/8 in
  • Mama, a la Negrita se le Siguen Saliendo los Pies de la Cunita (Mama, the black girl still has her feet out of the cradle)
    José Bedia
    Mama, a la Negrita se le Siguen Saliendo los Pies de la Cunita (Mama, the black girl still has her feet out of the cradle), 2014
    acrylic, oil, crayon, ink, collage on bark paper
    204 x 120 cm
    80 1/4 x 47 1/4 in
Biografía
José Bedia Valdés
Havana, 1959

Few Cuban artists have developed a body of work as coherent and original as that of José Bedia. Although he is one of the most outstanding examples in the history of art in Cuba and Latin America, and he has also received international acknowledgement, his true importance has not yet been fully recognized. In his paintings, drawings and installations, José Bedia has not only used a hive of cultural references from Cuba, but also from Latin America, the Caribbean and Africa, focussing on those that western civilization, with its technological vanity and false idea of progress, has considered underdeveloped, backward or pre-modern.

Exposiciones
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Noticias