Pedro Alvarez Cuban, 1967-2004

When I look at Pedro Álvarez’s work, I have the uncomfortable feeling that I am losing an important part of the game in which he was involved. My interpretations always leave me dissatisfied. And neither am I entirely content – I apologize for this – with the readings made by some of my colleagues. I have a feeling that there is much more that we can’t really decipher, although at times it seems that we understand the fundamental mechanisms of his creation.