Rene Peña Cuban, b. 1957
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Rene PeñaUntitledDigital Print Photography78 x 59 cmmore
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Rene PeñaMaratDigital Print Photography59 x 78 cm
23 1/4 x 30 3/4 inmore -
Rene PeñaS-T / Untitled (1994-1998), 1994-1998Digital Print Photography122,5 x 143 cmEdition 2/5more
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Rene PeñaUntitled , 1998Digital Print Photography133 x 100 cmEdition 3/5from the series "Untitled Album"more
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Rene PeñaS-T / Untitled , 1998 - 2001Digital Print Photography40 X 50 cmEdition 3/5Man Made Materialsmore
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Rene PeñaS-T / Untitled, 1998-2001Digital Print Photography40 X 50 cmEdition 3/5Man Made Materialsmore
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Rene PeñaS-T / Untitled , 1998-2001Digital Print Photography40 X 50 cmEdition 3/5Man Made Materialsmore
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Rene PeñaS-T / Untitled , 1998-2001Digital Print Photography40 X 50 cmEdition 3/5Man Made Materialsmore
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Rene PeñaS-T / Untitled , 1998-2001Digital Print Photography40 X 50 cmEdition 3/5Man Made Materialsmore
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Rene PeñaWithout title, , 2007Digital print Photography100 x 133cmEdition 1/5more
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Rene PeñaWhite pillow (From the series, Untitled Album) , 2007Digital Print Photography100 x 133 cmEdition 3/5more
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Rene PeñaWardrobe, 2007Digital Print Photography40 x 54 cmEdition: 2/5more
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Rene PeñaTutú , 2008Digital Print Photography59 x 78 cmUntitled Albummore
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Rene PeñaSin título, 2009Digital Print Photography59 x 78 cmmore
René Peña's work is much more complex and clever than his splendid photographs suggest at first sight. Although it is true that his images hold their own very well, his comments and texts sometimes help to reveal part of this complexity. Pena’s reluctance to be classified as an artist with a special interest in racial problems, for example, is illustrative. In his impressive Man Made Materials series, 1998-2001, Peña focuses on the physical attributes of black people; their skin, noses, lips and buttocks, which racist ideologies have used as “racial markers” and which continue to be used as "inoffensive" stereotypes that identify black people.
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The Watch Hill at Museo Nacional de Bellas Artes
Curated by Orlando Hernández 28 Jul - 22 Oct 2017Following successful exhibitions at the Johannesburg Art Gallery in 2010 and the UBC Museum of Anthropology, Vancouver, in 2014, the Museo Nacional de Bellas Artes and the Watch Hill Foundation...Read more -
The Watch Hill Collection at Museum of Anthropology
Curated by: Nuno Porto and Orlando Hernández 2 May - 2 Nov 2014University of British Columbia. Vancouver, Canada MOA opens a window into the lives and struggles of Cubans of African descent in its new exhibition Without Masks: Contemporary Afro-Cuban Art. This...Read more -
The Watch Hill Collection at Johannesburg Art Gallery
Curated by Orlando Hernández 23 May 2010Johannesburg Art Gallery (JAG) The first exhibition of 'Without Masks: Contemporary Afrocuban Art' was at the prestigious Johannesburg Art Gallery (JAG) in 2010. It coincided with South Africa's hosting of...Read more
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An Exhibition of Afro-Cuban Art Unmasks The Legacy Of Racism in Cuba
By Yoli (Yoanna) Terziyska February 16, 2021At the heart of the exhibition Sin Máscaras ( Without Masks ), currently at the Museo Nacional de Bellas Artes in Havana, is the inherent...Read more -
The Protest Art of Cuba Finds an Unlikely Champion
by Roslyn Sulcas for The New York Times November 21, 2017LONDON — In November 2007, Chris von Christierson’s wife, Marina, decided to take him to Cuba for his 60th birthday. Just before leaving, Mr. von...Read more -
Chris von Christierson’s Decade-Long Afro-Cuban Art Odyssey
By Nicholas Forrest for Blouin Art info September 12, 2017“Without Masks” at the Museo Nacional de Bellas Artes (MNBA) in Havana, Cuba is an exhibition celebrating the 10th anniversary of the Without Masks: Contemporary...Read more